You’ve seen the new Crispin, Porter + Bogusky campaign for Microsoft, first the Bill Gates/Jerry Seinfeld roadshow followed by the supposed next phase of the plan, the cavalcade of real people and celebrities claiming to be “a PC.”
This first came to my attention with the cover of Fast Company’s June 2008 issue that pretty clearly asks if CPB’s Alex Bogusky can make Microsoft cool. While the article itself quotes Andrew Keller, one of CPB’s co-executive creative directors saying “To try to be cool is to not be cool,” the resulting campaign does just that.
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Roy’s Heart
I originally wrote this script to use in New York at the NYU Summer Film Intensive I attended in 1994. It was not chosen as one of the final projects for the course, so I kept it under my hat until I had enough money to shoot it myself. It was written without knowing what kind of locations, interiors or exteriors, I would have access to in New York. So, in a sense, the script was sort of modular while still providing a dramatic drive and structure.
This short film was made in February/March of 1997. Principal photography took eight and a half days and editing took a week and a half. It was shot on Super16, using one camera, with the exception of the shootout sequence where we used a B camera. I learned to use an Avid editing system I rented the afternoon it was delivered.
This project taught me several things: to trust my instincts, to shoot with at least two cameras in the future, and to never do another short film project. The same amount of money I spent on this short would have allowed me to shoot a full-feature, using MiniDV technology, and a feature can be sold to some market. Shorts have practically no market. Of course, in ’97 MiniDV was pretty new. But it’s quickly taken hold, as shown by the many Hollywood and independent films made using that incredible technology.
If I do shoot another short film, it’s going to be no longer than two or three minutes since I believe that the whole short film category is populated by films that are way too long. I tell other filmmakers to take cues from advertising and TV commercials. Those are short films that tell complete and entertaining stories and all of them are constrained to do so within 30 seconds— 29.8 seconds to be exact.
Advertising – AMD
One of the most fundamentals rules for creating a good ad or ad campaign is message focus. An ad should basically say one thing. Each element of that ad is therefore in service to that one Key Message so that it is clearly and compellingly conveyed to the reader.
This campaign for AMD (Advanced Micro Devices), the second-largest producer of microprocessors, presented a tough challenge. AMD does many things, much like its competitor Intel, who at the time was leading the charge with a singular focus on their 486 chip. The teams involved in this project wrestled for days and days with exactly how we could tell AMD’s story, let alone which of its many stories should be up front. The solution, in this case, was to counter-intuitively go against the aforementioned advertising rule and tell all of AMD’s stories, but do it in bite-sized chunks.
Coincidentally, the idea for these layouts—borrowing from Piet Mondrian’s purely abstract paintings—occurred to me at the very first briefing on ostensibly what AMD wanted to communicate. The multi-faceted quality of these “Mondrian” layouts made them perfect containers for the copy that told AMD’s whole story by breaking it down into “chapters,” so to speak.
That’s a good example of lateral thinking, a resource that is so important in solving any marketing challenge.